Cracker

[Music] The Catch and Release #2

The Catch and Release showcases a choice sample of recently acquired music to my collection; some of these albums that I’ve “caught” will happily be part of my collection forever. But, there are albums that I acquired on a lark, that upon a listen or two have not resounded with me, which I have chosen to release back in the wild.
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What can I say…I started the Catch and Release series in September 2017… planned to make it an ongoing series…and then Big Shit happened. Our lives got into a dander. But! I am committed to this series and sharing new-to-me music with all of you! So, let’s ignore the fact it’s been months since I did one of these, m’kay?

The Catch

Forever committed to adding women artists into the music collection…

Jann Arden – A bunch!

As I shared with y’all a couple of weeks ago, I am a Jann fann! I had Canadian songstress, Jann Arden’s Living Under June back in the day (still do!). I have always found solace in her music. Just a couple of weeks ago I shockingly discovered I have most of her studio albums, several of them acquired while thrifting! I have had a chance to listen to them all and all are keepers. Jann, for the most part, has had a streak of great albums under her belt. She has just released her latest album last month called These Are the Days, which I reviewed recently (spoiler: it’s a goodie!).

Tara MacLean – Silence (1996)

I first heard Canadian songstress, Tara MacLean – where else? MuchMusic. She had a song that got a lot of airplay back in 1996 called Evidence. Its soft heartbeat drums and Tara’s soulful voice caught me at a time when Alanis was crooning about having one hand in her pocket…all respect to Alanis, but Tara’s music was a calm in a storm. I found her album, Silence, for a song at a Taleze, and it’s a calming change of pace.

Tracy Bonham – The Burdens of Being Upright (1996)

Knowing only one song of Bonham’s – Mother Mother – I found this one at my local thrift shop. I had always wanted to take a further look at her music. Her strong voice and her mix of hard rock was a welcoming surprise. Wow, this is a great album full of adrenaline. Each song is strong. This album’s sound takes me back to my uni days of smelly bars and moody grunge. Tracy sings her heart out. Now, I am interested in finding more from this artist.

The Release

The Cure – The Cure (2004)

I picked this one up at my local Mission thrift store on a lark. Now, I consider myself a fan of the Cure’s early stuff (1979 – 1993). Standing on a Beach lived in my Walkman for most of grade 9. I later enjoyed their Wish album, although this is where they turned more commercial (for example, Friday, I’m in Love was a constant on the radio…).  So when I found their 2004 album, The Cure, I was curious about where they were at musically, and I was willing to give the newer albums a shot…And honestly, I think it’s time Robert Smith hang up the rat’s nest. What I heard with this album was a band attempting to recapture the dark magic they had from the 80s, and it just didn’t work. It was painful, in fact. Smith was off-tune on most tracks (intentional, I’m sure) and tried to use his high-pitch woos and screams he’s known for from previous hits (see Love Cats). It just didn’t work for my ears. I’m passing…Now to find a copy of Disintegration

Cracker – Kerosene Hat (1993)

The very first song on this CD is Low – a song that I instantly recognized as the Canadian band Moist…except it wasn’t Moist; it’s Cracker! (Oops!) I can see how this album sold records based on that song alone. As the album continues down the tracks, I liked the bluesy bar rock (complete with tons of cowbell and tambourine)…but I couldn’t stand the lead singer’s crooning…If Cracker were to release this as an instrumental album, it would be on the keep pile!

Evanescence – Fallen (2003) and The Open Door (2006)

I was interested in Evanescence back with their hit Bring Me Back to Life was playing everywhere. Amy Lee’s beautiful voice juxtaposed with orchestral hard rock was different than the norm in ’03, and it was an attractive and curious sound, but I didn’t  pursue it…that is until I found Fallen and the Open Door for cheap. I picked them up to listen, and gave them thrice a listen…and… I don’t think I am a fan of Evanscence’s brand of orchestral Gothic rock. As lovely as Lee’s voice is, it seems she only has one type of singing: the start high and remain high. I don’t know, am I off base here?

Violent Femmes – S/T (1982)

I am probably gonna get flack for this one…Guys, I want to like Violent Femmes so much! I mean, in some way I feel a pressure to like them because of their 80s cred. I mean, this album cover is iconic! Alas, I just…don’t. Blister in the Sun is on the radio constantly. When I found their album for sale at the VV, I grabbed it, thinking, Hey, maybe they have other songs I like? Blister in the Sun was the first track, and an easy pass. Kiss Off is also recognizable…then so is Add It Up (Ethan Hawke from Reality Bites, anyone?) But, no, it honestly comes down to this: it’s Gordon Gano’s voice – it grates! I like the rawness of the guitar and fast drum rolls, but Gano’s nasally voice takes me right out of it. I just don’t see myself pull this off the shelf to listen. Anyone else feel this way about the Femmes?

More to come! Thanks for reading!

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